{"product_id":"the-cinema-of-powell-pressburger-collection-two","title":"The Cinema Of Powell \u0026 Pressburger - Collection Two (1942 - 1956) - 4K UHD + Blu-ray Limited Edition Hardbox + Hardcover Booklet - Imprint Collection #615 - 621","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/The_Cinema_of_Powell_Pressburger_C2_TT_480x480.png?v=1782285870\" alt=\"\" style=\"float: none; display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMichael Powell and Emeric Pressburger forged a filmmaking partnership that has forever influenced the silver screen, crafting a catalogue of twenty-four films that are among the most renowned works cinema has to offer.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis second selection features seven more entries from their powerful collaboration:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOne of Our Aircraft is Missing (1942) - Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eI Know Where I'm Going! (1945) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe Red Shoes (1948) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eThe Small Back Room (1949) - 4K UHD + Blu-ray - \u003c\/span\u003e\u003cspan\u003eworldwide first on 4K UHD!\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eThe Tales of Hoffmann (1951) - 4K UHD + Blu-ray - \u003c\/span\u003e\u003cspan\u003eworldwide first on 4K UHD!\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOh... Rosalinda!! (1955) - Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe Battle of the River Plate (1956) - Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis special collection also includes the feature documentary \u003c\/span\u003e\u003cspan\u003eCameraman - The Life and Work of Jack Cardiff\u003c\/span\u003e\u003cspan\u003e (2010) on Blu-ray, alongside hours of brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eand archival Special Features. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLimited Edition 12-Disc Hardbox (authoring and encoding by Fidelity In Motion) with an exclusive 236-page hardcover booklet, featuring pressbooks, programmes, and original production photographs, as well as a brand \u003c\/span\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eessay by critic Jeremy Arnold.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“Of course, all films are surrealist. They are because they are making something that looks like a real world but isn't.\u003c\/em\u003e” \u003c\/span\u003e\u003cspan\u003e- Michael Powell\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e1500 copies only.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/One_of_Our_Aircraft_Is_Missing_web_480x480.png?v=1782286222\" style=\"margin-right: auto; margin-bottom: 16px; margin-left: auto; float: none; display: block;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003eOne of Our Aircraft is Missing (1942) - Imprint Collection #615\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe first film Powell \u0026amp; Pressburger made under the banner of The Archers, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eOne of Our Aircraft Is Missin\u003c\/em\u003eg\u003c\/span\u003e\u003cspan\u003e is riveting screen dynamite, described by the New York Times as \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“tremendously exciting … its motors never miss a beat.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOn its way back from a raid in Germany, a British bomber is shot down over Nazi-held Holland. Parachuting into Dutch farmlands under the cover of darkness, the crew connects with members of the local resistance, who shelter the Brits from their Nazi inquisitors as they make their way towards freedom.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStarring Godfrey Tearle (\u003c\/span\u003e\u003cem\u003eThe 39 Steps\u003c\/em\u003e\u003cspan\u003e), Eric Portman \u003cem\u003e(\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eA Canterbury Tale\u003c\/em\u003e\u003cspan\u003e), Hugh Williams, and Bernard Miles, the film was nominated for three Academy Awards, and its success brought about a new era for the duo of filmmakers. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eAudio commentary by film historians Alain Silver and Jim Ursini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eThe Volunteer\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e– 1944 short film directed by Powell and Pressburger\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eAn Airman’s Letter to His Mother\u003c\/em\u003e\u003cspan\u003e – 1941 short film directed by Michael Powell\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/I_Know_Where_I_m_Going_red_480x480.png?v=1782286507\" style=\"float: none; display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003eI Know Where I'm Going! (1945) - Imprint Collection #616\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA joyous romantic comedy starring Wendy Hiller (\u003c\/span\u003e\u003cem\u003eThe Elephant Man\u003c\/em\u003e\u003cspan\u003e) and Roger Livesey (\u003c\/span\u003e\u003cem\u003eA Matter of Life and Death\u003c\/em\u003e\u003cspan\u003e), this essential Powell \u0026amp; Pressburger outing has been fully restored in 4K by the BFI and The Film Foundation from the original nitrate camera negative. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePlucky Englishwoman Joan Webster travels to the remote islands of the Scottish Hebrides in order to marry a wealthy industrialist. Trapped by inclement weather on the Isle of Mull and unable to continue to her destination, Joan finds herself charmed by the straightforward, no-nonsense islanders around her and becomes increasingly attracted to naval officer Torquil MacNeil, who holds a secret that may change her life forever.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e“I reached the point of thinking there were no more masterpieces to discover, until I saw I Know Where I'm Going!”\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e- Martin Scorsese\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc One - 4K UHD\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Interview with film critic \u0026amp; author Neil Sinyard\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eI Know Where I'm Going! Revisited\u003c\/em\u003e\u003cspan\u003e - 1994 documentary by Mark Cousins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio interview with actress Dame Wendy Miller by associate professor Dr. Brian McFarlane\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"margin-bottom: 16px; float: none; display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/The_Red_Shoes_480x480.png?v=1782286631\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eThe Red Shoes (1948) - Imprint Collection #617\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDazzling Technicolor, fairytale visuals, and magical storytelling are at the heart of\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Red Shoe\u003c\/em\u003e\u003cspan\u003e\u003cem\u003es\u003c\/em\u003e, a masterpiece of filmmaking that is amongst some of the best films ever committed to celluloid. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBased on the 1845 story by Hans Christian Andersen, Powell \u0026amp; Pressburger elicited captivating performances from Anton Walbrook, Marius Goring, and Moira Shearer, crafting an Oscar-winning box office smash hit that is still captivating audiences today. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePainstakingly restored in 4K by the UCLA Film \u0026amp; Television Archive in association with the BFI, The Film Foundation, ITV Global Entertainment Ltd., and Janus Films, this breathtaking, timeless crown jewel is not only essential Powell \u0026amp; Pressburger, but essential cinema. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eNEW \u003c\/span\u003e\u003cspan\u003eAudio commentary by film historian Pamela Hutchinson, author of \u003c\/span\u003e\u003cspan\u003eBFI Classics: The Red Shoes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eAudio commentary by film historian Pamela Hutchinson, author of \u003c\/span\u003e\u003cspan\u003eBFI Classics: The Red Shoes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eFilm scholar Ian Christie discusses \u003c\/span\u003e\u003cem\u003eThe Red Shoes\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eA Profile of The Red Shoes\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e- documentary (2000) \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eThe Ballet of The Red Shoes\u003c\/span\u003e\u003cspan\u003e - featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eMartin Scorsese’s introduction to the 2009 Cannes screening\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with Thelma Schoonmaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"margin-bottom: 16px; float: none; display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/The_Small_Back_Room_480x480.png?v=1782286785\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eThe Small Back Room (1949) - Imprint Collection #618\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eWorldwide first on 4K UHD!\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eProduced by Alexander Korda, \u003c\/span\u003e\u003cem\u003eThe Small Back Room\u003c\/em\u003e\u003cspan\u003e saw Powell \u0026amp; Pressburger move away from the Rank Organisation, despite the enormous success of\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e, returning to their roots to create this tense wartime drama. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSammy Rice is a bomb disposal expert, tortured by the loss of his foot and battling alcoholism. He is pushed to his limits when asked to disarm a deadly, unexploded German booby trap.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStarring David Farrar (\u003c\/span\u003e\u003cem\u003eBlack Narcissus\u003c\/em\u003e\u003cspan\u003e), Kathleen Byron (\u003c\/span\u003e\u003cem\u003eSaving Private Ryan\u003c\/em\u003e\u003cspan\u003e), Jack Hawkins (\u003c\/span\u003e\u003cem\u003eLawrence of Arabia\u003c\/em\u003e\u003cspan\u003e), Leslie Banks (\u003c\/span\u003e\u003cem\u003eThe Man Who Knew Too Much\u003c\/em\u003e\u003cspan\u003e), and Cyril Cusack (\u003c\/span\u003e\u003cem\u003eHarold and Maude\u003c\/em\u003e\u003cspan\u003e), this is a fascinating entry at a pivotal moment in the careers of Powell \u0026amp; Pressburger. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by film historians Jo Botting and Melanie Williams\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio commentary by film scholar Charles Barr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAudio commentary by film historians Jo Botting and Melanie Williams\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio commentary by film scholar Charles Barr\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eRestoring The Small Back Room\u003c\/em\u003e\u003cspan\u003e - featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cem\u003eThe Making of an Englishman\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003e- featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eA Tortured Hero\u003c\/em\u003e\u003cspan\u003e - Kevin Macdonald on \u003c\/span\u003e\u003cspan\u003eThe Small Back Room \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eDefusing the Archers\u003c\/em\u003e\u003cspan\u003e - Ian Christie on \u003c\/span\u003e\u003cspan\u003eThe Small Back Room\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with cinematographer Christoper Challis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"margin-bottom: 16px; float: none; display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/The_Tales_of_Hoffman_TT_-_web_480x480.png?v=1782287031\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eThe Tales of Hoffmann (1951) - Imprint Collection #619\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eWorldwide first on 4K UHD!\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eAnother fantastical Technicolor outing from Powell \u0026amp; Pressburger, this musical fantasy is an adaptation of the opera of the same name by Jacques Offenbach, with an exquisite score performed by the Royal Philharmonic Orchestra.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMany collaborators from \u003cem\u003eThe Red Shoes\u003c\/em\u003e returned to work on this film, including actors and ballet dancers Moira Shearer, Ludmilla Tchérina, Robert Helpmann, and Léonide Massine, as well as cinematographer Christopher Challis and editor Reginald Mills. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eNominated for two Academy Awards,\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003ewas described by filmmaker George A. Romero as his \u003c\/span\u003e\u003cem\u003e“favourite film of all time; the movie that made me want to make movies”\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAudio commentary by film historians Alain Silver \u0026amp; Jim Ursini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by film historians Alain Silver \u0026amp; Jim Ursini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eInterview with film critic \u0026amp; author Neil Sinyard\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eFilm critic Kim Newman on \u003c\/span\u003e\u003cspan\u003eThe Tales of Hoffman\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eIntroduction from Martin Scorsese\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with Thelma Schoonmaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eStills Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"margin-bottom: 16px; float: none; display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/Oh_Rosalinda_TT_-_web_480x480.png?v=1782287193\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eOh... Rosalinda!! (1955) - Imprint Collection #620\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFour years after \u003c\/span\u003e\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e, Powell \u0026amp; Pressburger set another 1800s comedic opera aglow in Technicolor with Johann Strauss’ \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eOh… Rosalinda!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStarring Michael Redgrave (\u003c\/span\u003e\u003cem\u003eThe Lady Vanishes\u003c\/em\u003e\u003cspan\u003e), Mel Ferrer (\u003c\/span\u003e\u003cem\u003eWar and Peace\u003c\/em\u003e\u003cspan\u003e), Anthony Quayle (\u003c\/span\u003e\u003cem\u003eLawrence of Arabia\u003c\/em\u003e\u003cspan\u003e), Ludmilla Tchérina (\u003c\/span\u003e\u003cem\u003eThe Red Shoes, The Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e) and Anton Walbrook (\u003c\/span\u003e\u003cem\u003eThe Life and Death of Colonel Blimp\u003c\/em\u003e\u003cspan\u003e).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWhen the hapless Colonel Eisenstein is sent to prison over a legal misunderstanding, his wife Rosalinda finds herself pursued by an old American flame, setting in motion a whirl of mistaken identities, disguises, and romantic deceptions that culminate in a dazzling masked ball where nobody is quite who they seem.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOne of the first films to be produced in CinemaScope, this playful, extravagant musical outing set in post-war Vienna is a gem in the Powell \u0026amp; Pressburger filmography.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eAudio commentary by film historians Jonathan Rigby and Kevin Lyons\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eInterview with film historian Matthew Sweet\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/The_Battle_of_the_River_Plate.png?v=1782287304\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eThe Battle of the River Plate (1956) - Imprint Collection #621\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBased on true events from one of the first major naval engagements of World War II, Powell \u0026amp; Pressburger's captivating VistaVision drama stars John Gregson (\u003c\/span\u003e\u003cem\u003eThe Lavender Hill Mob\u003c\/em\u003e\u003cspan\u003e), Anthony Quayle (\u003c\/span\u003e\u003cem\u003eLawrence of Arabia\u003c\/em\u003e\u003cspan\u003e), Bernard Lee (\u003c\/span\u003e\u003cem\u003eThe Third Man, Goldfinger\u003c\/em\u003e\u003cspan\u003e), and Peter Finch (\u003c\/span\u003e\u003cem\u003eNetwork\u003c\/em\u003e\u003cspan\u003e). \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWhen Commodore Harwood gambles that the German battleship Graf Spee will make for the River Plate, three British cruisers engage in a ferocious battle. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInspired by Captain Patrick Dove's famous memoir,\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eI Was Graf Spee's Prisoner\u003c\/em\u003e\u003cspan\u003e, this wartime epic used real ships and is a true spectacle of filmmaking. Nominated for three BAFTA Awards, \u003c\/span\u003e\u003cem\u003eThe Battle of the River Plate\u003c\/em\u003e\u003cspan\u003e remains Powell \u0026amp; Pressburger's most commercially successful film.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by cinema historian Stuart Galbraith IV, with Michael Wynd, researcher at the National Museum of the Royal New Zealand Navy\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Interview with film historian Sheldon Hall\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTalking Film: Powell \u0026amp; Pressburger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eProfile of the Battle of the River Plate\u003c\/em\u003e\u003cspan\u003e - documentary\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eGerman Theatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eRestoration samples\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.78:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cspan\u003e________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eBonus Disc: Cameraman - The Life and Work of Jack Cardiff (2010)\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2001, Jack Cardiff (1914 - 2009) became the first director of photography in Academy Awards history to win an Honorary Oscar. However, the first time he held the famous statuette in his hand was a half-century earlier, when his Technicolor camerawork was awarded for Powell \u0026amp; Pressburger's \u003c\/span\u003e\u003cem\u003eBlack Narcissus\u003c\/em\u003e\u003cspan\u003e. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBeyond John Huston's\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe African Queen and King Vidor's War and Peace\u003c\/em\u003e\u003cspan\u003e, the films of the British-Hungarian creative duo (\u003c\/span\u003e\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e) guaranteed immortality for the renowned cameraman whose career spanned seventy years.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInterview with director Craig McCall by film historian Ian Christie \u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eJack’s Actress Portraits\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eJack’s Behind-the-Scenes Movies\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e– featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eCinematographer and Director Relationship\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eWorking with Three-Strip Technicolor\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003ePhoto Galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e ________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eHardcover Booklet\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis 236-page hardcover booklet includes original production photographs from the films, as well as:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eOne Of Our Aircraft Is Missing\u003c\/em\u003e\u003cspan\u003e - original Australian programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003cem\u003eLove as a Force of Nature \u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eessay by critic Jeremy Arnold on \u003c\/span\u003e\u003cspan\u003eI Know Where I'm Going\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e- Original Australian programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Red Shoes\u003c\/em\u003e\u003cspan\u003e - original souvenir programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e - original souvenir programme\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Tales of Hoffman\u003c\/em\u003e\u003cspan\u003e - original production notes \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eOh... Rosalinda!! \u003c\/em\u003e\u003cspan\u003e- original press kit\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003eThe Battle of the River Plate\u003c\/em\u003e\u003cspan\u003e - original souvenir programme\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb id=\"docs-internal-guid-89da73c5-7fff-bd23-42a9-d0aa88ef35df\"\u003e\u003c\/b\u003e\n\u003c\/div\u003e","brand":"Via Vision","offers":[{"title":"Default Title","offer_id":53293844234553,"sku":"IMP5555","price":319.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5555TheCinemaOfPowell_PressburgerCollection2EXPLODED_NORAT.png?v=1782287566","url":"https:\/\/viavision.com.au\/products\/the-cinema-of-powell-pressburger-collection-two","provider":"Via Vision Entertainment","version":"1.0","type":"link"}