{"product_id":"directed-by-stanley-kubrick","title":"Directed By... Stanley Kubrick (1953 - 1957) - 4K UHD + Blu-ray Limited Edition Hardbox + Hardcover Booklets -  Imprint Collection #622 - 625","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5563_Directed_by_Stanley_Kubrick_box_TT_480x480.png?v=1782344091\" alt=\"\" style=\"float: none; display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBefore \u003c\/span\u003e\u003cem\u003eSpartacus\u003c\/em\u003e\u003cspan\u003e, before \u003c\/span\u003e\u003cem\u003e2001: A Space Odyssey\u003c\/em\u003e\u003cspan\u003e, and before \u003c\/span\u003e\u003cem\u003eThe Shining\u003c\/em\u003e\u003cspan\u003e, there was a young man in New York City with a camera and an unshakeable conviction that he was going to change cinema. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStanley Kubrick directed his first four formative features before the age of thirty, outside \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe Hollywood studio system, on shoestring budgets, and with a visual intelligence and artistic ambition that announced the arrival of a singular talent.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFrom the self-financed debut he would later try to suppress, to a Kirk Douglas-produced anti-war masterpiece that remains one of the defining films of its decade, these four films trace one of the most compressed and dramatic artistic evolutions in cinematic history:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eFear and Desire (1953) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eKiller's Kiss (1955) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe Killing (1956) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003ePaths of Glory (1957) - 4K UHD + Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAll fully restored in 4K from their original elements, this set features authoring and encoding by Fidelity In Motion, hours of brand \u003c\/span\u003e\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eSpecial Features, a 100-page hardcover booklet featuring brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eessays and original production stills, and a second 144-page hardcover booklet featuring scripts for\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eKiller’s Kiss\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKubrick met producer James B. Harris while playing chess in Washington Square, who once described Kubrick as\u003c\/span\u003e\u003cspan\u003e \u003cem\u003e“the most intelligent, most creative person I ever came in contact with”\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e. The two forged the Harris-Kubrick Pictures Corporation in 1955, with\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003ethe first of their three-picture collaboration. We are honoured to have James B. Harris, now at the age of 97, participate in brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW and exclusive\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eaudio commentaries for \u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLimited Edition 8-Disc Hardbox - 1500 copies only.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5564_Fear_and_Desire_slick_TT.png?v=1782344240\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eFear and Desire (1953) - Imprint Collection #622\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShot on the slopes of the San Gabriel Mountains with a borrowed camera and a cast of five, \u003c\/span\u003e\u003cem\u003eFear and Desire\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003eis the audacious debut of a twenty-three-year-old Stanley Kubrick - a film he would later attempt to suppress but which now stands as a haunting origin document.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFour soldiers crash behind enemy lines during a nameless war and must fight their way back to safety. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLaced with moral disintegration and psychological torment, this Kubrick debut stars Frank Silvera, Kenneth Harp, and Paul Mazursky, presented here in both the 70-minute Premiere Version and the 61-minute Theatrical Version on both 4K UHD and Blu-ray.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSpecial Features and Technical Specs: \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10) of the 70-minute Premiere Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10) of the 61-minute Theatrical Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eAudio commentary by filmmaker and film historian Daniel Kremer on the 70-minute Premiere Version\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration of the 70-minute Premiere Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration of the 61-minute Theatrical Version\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eAudio commentary by filmmaker and film historian Daniel Kremer on the 70-minute Premiere Version\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003cem\u003ePaths to Glory\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e- film historian Jeremy Arnold on young Kubrick’s \u003cem\u003eFears and Desires\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003e\u003cem\u003eThe Seafarers\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e - 1953 short by Stanley Kubrick (4K restoration)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cimg style=\"margin-bottom: 16px; float: none; display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5565_Killer_s_Kiss_slick_TT_480x480.png?v=1782344434\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003eKiller's Kiss (1955) - Imprint Collection #623\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBefore focusing on cinema, Kubrick was a prolific street photographer, working for Look Magazine for five years from age 17. It was these skills that helped craft\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eKiller’s Kiss\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003eat the age of 25, a fiery noir shot on location in New York City that serves as a time capsule of 1950s Manhattan.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWashed-up boxer Davey Gordon is barely scraping by on the Lower East Side, and he witnesses his neighbour Gloria being attacked by her violent employer. In trying to protect her, he pulls both of them into a spiral of pursuit and violence through the city’s most treacherous corners.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e Audio commentary by professor and film scholar Jason A. Ney\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAudio commentary by professor and film scholar Jason A. Ney\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eKisses Before the Knockout\u003c\/strong\u003e\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003e- film historian Paul Lynch on early Kubrick and \u003c\/span\u003e\u003cem\u003eKiller’s Kiss\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5566_The_Killing_slick_TT_480x480.png?v=1782344772\" style=\"margin-right: 40px; margin-bottom: 16px; margin-left: 40px; float: none;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003eThe Killing (1956) - Imprint Collection #624\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAdapted from Lionel White’s novel with dialogue by crime novelist Jim Thompson, \u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e is a shattering, non-linear noir that anticipates the modern heist film by four decades.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAfter five years in prison, criminal Johnny Clay has one last job in mind: rob a racetrack on race day, take two million dollars, then finally go straight. With a small team of carefully chosen insiders, the plan seems foolproof, until one man tells his wife, and one wife is not what she appears…\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFeaturing Sterling Hayden, Marie Windsor, and Elisha Cook Jr. in career-defining performances, with cinematography from Lucien Ballard (\u003c\/span\u003e\u003cem\u003eThe Wild Bunch\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e)\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe Killing\u003c\/em\u003e\u003cspan\u003e is a remarkable feat of filmmaking, inspiring countless directors since its release and cited by Quentin Tarantino as the inspiration for \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eReservoir Dog\u003c\/em\u003es\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eColeen Gray: Looking Back\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e - 2004 interview with actress Coleen Gray, newly edited by filmmaker Robert Fischer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003eInterview with producer James B Harris conducted by Alan K. Rode at the Arthur Lyons Film Noir Festival\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eQ\u0026amp;A session with producer James B. Harris from the Rancho Mirage Library \u0026amp; Observatory (2023)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cem\u003e\u003cstrong\u003ePharos of Chaos\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e- 1983 feature documentary on the legendary actor Sterling Hayden\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\n\u003cspan\u003eInterview with producer\/director Wolf Eckart Buhler (on\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003ePharos of Chaos\u003c\/em\u003e\u003cspan\u003e)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e \u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5567_Pathes_of_Glory_slick_TT.png?v=1782345305\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003ePaths of Glory (1957) - Imprint Collection #625\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJust three years before taking on the cinematic epic \u003c\/span\u003e\u003cem\u003eSpartacus\u003c\/em\u003e\u003cspan\u003e, Stanley Kubrick had a breakthrough with anti-war drama\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e. Co-produced by Kirk Douglas’ production company, Bryna Productions, and James B. Harris, this feat of filmmaking cemented Kubrick as a world-class director and set the stage for the remarkable career that would follow. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFrance, 1916. General Mireau, hungry for promotion, orders his regiment to take an impregnable German position known as the Anthill. When the suicidal assault predictably fails, Mireau orders three of his own soldiers court-martialled for cowardice to deflect the blame. Their defence falls to Colonel Dax, a former criminal lawyer turned battlefield commander, who finds that the tribunal has been decided before it begins.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBased on Humphrey Cobb’s celebrated 1935 novel, \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e was banned in France until 1975 and was nominated at the BAFTAs for Best Film and a Writers' Guild of America Award. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSpecial Features and Technical Specs:\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDisc One - 4K UHD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2160p High-definition presentation on 4K UHD (Dolby Vision \/ HDR10)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDisc Two - Blu-ray\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e1080p High-definition presentation on Blu-ray of the 4K restoration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eAudio commentary by documentarian\/author Steven C. Smith \u0026amp; producer James B. Harris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cem\u003eCharlie Rose Remembers Stanley Kubrick\u003c\/em\u003e\u003cspan\u003e – featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eRoundtable discussion on the life of Stanley Kubrick, featuring filmmaker Martin Scorsese, wife of Stanley Kubrick Christiane Kubrick, and film producer Jan Harlan, moderated by Charlie Rose\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003eQ\u0026amp;A with producer James B. Harris hosted by the Rancho Mirage Library \u0026amp; Observatory\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAudio: English LPCM 2.0 Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAspect Ratio 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOptional English HOH Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e \u003cspan\u003e____________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eHardcover Booklet\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eA 100-page hardcover booklet featuring a brand \u003c\/span\u003e\u003cstrong\u003eNEW \u003c\/strong\u003e\u003cspan\u003eessay \u003c\/span\u003e\u003cspan\u003e‘\u003cem\u003ePaths of Glory: Kubrick’s Monument to Barbarism\u003c\/em\u003e’\u003c\/span\u003e\u003cspan\u003e by film historian Tim Pelan, a brand \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNEW\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eessay \u003cem\u003e‘\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eEarly Kubrick\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e’\u003c\/em\u003e by author and former Chicago Reader film critic Jonathan Rosenbaum, and dozens of original production stills. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eScripts Booklet\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA 144-page hardcover booklet featuring scripts for \u003c\/span\u003e\u003cem\u003eKiller’s Kiss, The Killing\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e. \u003c\/span\u003e \u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-ef59f26f-7fff-e3ed-4f27-5c6e248b8d1b\"\u003e\u003c\/b\u003e\n\u003c\/div\u003e","brand":"Via Vision","offers":[{"title":"Default Title","offer_id":53293843185977,"sku":"IMP5563","price":219.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0947\/3481\/1449\/files\/IMP5563-Directed-by-Stanley-Kubrick-box-expanded-w.png?v=1782346355","url":"https:\/\/viavision.com.au\/products\/directed-by-stanley-kubrick","provider":"Via Vision Entertainment","version":"1.0","type":"link"}